3D/4D visualisation for documenting and editing images of pre-roman Italy: the ICAR database

Title

3D/4D visualisation for documenting and editing images of pre-roman Italy: the ICAR database

Creator(s)

Natacha LubtchanskySee all items with this value

Alban-Brice PimpaudSee all items with this value

Date

2024

Is Part Of

Archeologia e Calcolatori

Volume

35

Issue

1

Pages

173–192

Language

eng

Rights

CC BY-NC-ND 4.0

DOI

https://doi.org/10.19282/ac.35.1.2024.13

URI

http://www.archcalc.cnr.it/journal/id.php?id=1294

Zotero BiDiAr

https://www.zotero.org/groups/5293298/bidiar/items/8SVFFGWA/item-list

Abstract

It has been over twenty years since the ICAR database of figurative scenes from pre-Roman Italy (Etruscan, Italic, Italiote) was first made available online to researchers, students and the general public (http://icar.huma-num.fr/, 2002-, ISSN 2491-2301). The database is a tool for documentation and research into ancient iconography, bringing together the major corpora of images from pre-Roman Italy and providing the main information (archaeological, historical, stylistic, discovery, conservation, bibliographical) relating to them. Since 2000, ICAR has been developing its activities in association with various iconographic research programmes. Over the last ten years the database has also taken into account the modern documentation of the ancient artefacts and offers a data interoperability portal bringing together all the international collections preserving modern reproductions of Etruscan painting. Within this framework, we developed an exploratory tool (ICAR 4D) to combine high-definition 3D digitizations of two Etruscan painted tombs (the tombs of the Bigas and of Orcus in Tarquinia) with all the drawings and paintings produced over more than a century since the discovery of the two monuments. This tool uses cross-browser and open-source libraries to digitally expose and allow 3-D real-time online examination of both tombs’ models and their rich graphical documentation.

Zotero References Collection

https://www.zotero.org/groups/5293298/bidiar/collections/USJ99WIP

Cites

Pittura etrusca in 4D: il programma Fac-simile

ICAR (IConographie-ARchéologie pour l’Italie préromaine). Dernières mises à jour, nouvelle interface, nouveaux corpus documentaires

Le programme Fac-simile : étudier le patrimoine archéologique étrusque ex situ et en 4D

Documentation graphique et musées de peinture étrusque

Voyageurs français à Corneto 1825-1850

Le tombe dipinte di Tarquinia. Vicenda conservativa, restauri, tecnica di esecuzione

From decoration to documentation. The Helbig-Jacobsen facsimiles and their afterlife

L'antica Etruria marittima: compressa nella dizione pontificia descritta ed illustrata con i monumenti

Dipingere l’Etruria. Le riproduzioni delle pitture etrusche di Augusto Guido Gatti.

La tombe étrusque delle Bighe de Tarquinia et les vases bilingues attiques: les techniques de la documentation graphique (XIXe-XXe siècles)

L’aldilà etrusco, dalla tomba al museo e alle Digital Humanities: il contributo delle fonti letterarie all’esperienza di visita della tomba dell’Orco a Tarquinia