3D/4D visualisation for documenting and editing images of pre-roman Italy: the ICAR database
- Title
- 3D/4D visualisation for documenting and editing images of pre-roman Italy: the ICAR database
- Date
- 2024
- Is Part Of
-
Archeologia e Calcolatori
- Volume
- 35
- Issue
- 1
- Pages
- 173–192
- Language
- eng
- Rights
- CC BY-NC-ND 4.0
- Abstract
- It has been over twenty years since the ICAR database of figurative scenes from pre-Roman Italy (Etruscan, Italic, Italiote) was first made available online to researchers, students and the general public (http://icar.huma-num.fr/, 2002-, ISSN 2491-2301). The database is a tool for documentation and research into ancient iconography, bringing together the major corpora of images from pre-Roman Italy and providing the main information (archaeological, historical, stylistic, discovery, conservation, bibliographical) relating to them. Since 2000, ICAR has been developing its activities in association with various iconographic research programmes. Over the last ten years the database has also taken into account the modern documentation of the ancient artefacts and offers a data interoperability portal bringing together all the international collections preserving modern reproductions of Etruscan painting. Within this framework, we developed an exploratory tool (ICAR 4D) to combine high-definition 3D digitizations of two Etruscan painted tombs (the tombs of the Bigas and of Orcus in Tarquinia) with all the drawings and paintings produced over more than a century since the discovery of the two monuments. This tool uses cross-browser and open-source libraries to digitally expose and allow 3-D real-time online examination of both tombs’ models and their rich graphical documentation.
- Zotero References Collection
- https://www.zotero.org/groups/5293298/bidiar/collections/USJ99WIP
- Cites
- Pittura etrusca in 4D: il programma Fac-simile
- ICAR (IConographie-ARchéologie pour l’Italie préromaine). Dernières mises à jour, nouvelle interface, nouveaux corpus documentaires
- Le programme Fac-simile : étudier le patrimoine archéologique étrusque ex situ et en 4D
- Documentation graphique et musées de peinture étrusque
- Voyageurs français à Corneto 1825-1850
- Le tombe dipinte di Tarquinia. Vicenda conservativa, restauri, tecnica di esecuzione
- From decoration to documentation. The Helbig-Jacobsen facsimiles and their afterlife
- L'antica Etruria marittima: compressa nella dizione pontificia descritta ed illustrata con i monumenti
- Dipingere l’Etruria. Le riproduzioni delle pitture etrusche di Augusto Guido Gatti.
- La tombe étrusque delle Bighe de Tarquinia et les vases bilingues attiques: les techniques de la documentation graphique (XIXe-XXe siècles)
- L’aldilà etrusco, dalla tomba al museo e alle Digital Humanities: il contributo delle fonti letterarie all’esperienza di visita della tomba dell’Orco a Tarquinia
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ICAR database architecture (Sylvain Mottet and François Ory) -
The ICAR user interface since 2016 (ICAR) -
The head of the demon Charun from the tomb of Orcus in Tarquinia, based on a drawing on tracing paper by L. Schulz (Deutsches Archäologisches Institut in Rome) -
Original location of the two tombs (Alban-Brice Pimpaud) -
The mosaic of archival documents for the tomb of Orcus of Tarquinia and insertion of the same in the 3D modelling (Alban-Brice Pimpaud) -
The BIGHE 4D interface, detail of the spectator stand on the left wall, with the athletic or erotic scene (ICAR) -
The ORCO 3D interface. Presentation of the right wall of chamber 1 with the watercolour by A. Morani (ICAR) -
Colorized point cloud of the tomb of Orcus, with under/over exposure and shadows. Closeup of a region with a 1.6 mm resolution (Jean-Philippe Corbellini and Alban-Brice Pimpaud). -
3D digitization processes, from left to right – point cloud, shaded photogrammetric model, textures. Tomb of Orcus (Alban-Brice Pimpaud) -
Segmentation, decimation, and texturing processes for the tomb of the Bigas (Alban-Brice Pimpaud)
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