Tecniche di modellazione 3D per una documentazione accurata delle incisioni rupestri: confronto tra Structure from Motion e stereofotometria

Title

Tecniche di modellazione 3D per una documentazione accurata delle incisioni rupestri: confronto tra Structure from Motion e stereofotometria

Creator(s)

Fabio Cavulli

Carla Mannu

Massimo Vanzi

Michele Mazzurana

Date

2024

Is Part Of

Archeologia e Calcolatori

Volume

35

Issue

1

Pages

349–368

Language

ita

Rights

CC BY-NC-ND 4.0

DOI

https://doi.org/10.19282/ac.35.1.2024.22

URI

http://www.archcalc.cnr.it/journal/id.php?id=1303

Zotero BiDiAr

https://www.zotero.org/groups/5293298/bidiar/items/X7SGLVY6/item-list

Abstract

3D modelling represents a fundamental survey technique to represent archaeological evidence. It is particularly important to draw and analyse engravings because it is more descriptive and, somehow, objective than traditional drawings, which result interpretative and not replicable, becoming a debatable and often controversial matter. A technique able to verify the overlaying of signs is essential to establish the relative sequence, thus the chronology of engravings. However, there are several techniques and they provide different results. The paper tries to empirically compare SfM and PS methods to understand how they work on surface representation and which are their specificities in a difficult context such as the Pianaura engravings. The aim of the paper is to verify the accuracy of the techniques. Three paths are pursued: the first analyses pure quantitative data, such as counting the number of points or faces built and so on; the second aims to verify quantitatively distortions by geometric measurements analysis; the third is a visual quality test, which focuses on users’ perception of 3D models. It can be concluded that the distinct fields of application and the diverse purposes of the research enhance the different specificities of the two techniques.

Zotero References Collection

https://www.zotero.org/groups/5293298/bidiar/collections/4FLMWRMD

Cites

Verso un sistema integrato di documentazione dell’arte rupestre. L’esperienza AKAP (Egitto)

Digital Rocks. An integrated approach to rock art recording: the case study of Ossimo-Pat (Valle Camonica), monolith 23

L’apport de la 3D dans l’art préhistorique: analyse et restitution des images et de leurs supports, exemples croisés des sites de Blanchard (La Garenne) et la Marche

Applications 3D pour la contextualisation et le relevé d’art en grotte ornée

Testing the value of low-cost Structure-from-Motion (SfM) photogrammetry for metric and visual analysis of rock art

Photometric Method For Determining Surface Orientation From Multiple Images

On the limits of 3D capture: A new method to approach the photogrammetric recording of palaeolithic thin incised engravings in Atxurra Cave (northern Spain)

From 2D to 3D at macro- and microscopic scale in rock art studies

Image processing and visualisation of rock art laser scans from Loups’s Hill, County Durham

Performance evaluation of a multi-image 3D reconstruction software on a low-feature artefact

Automated tracing of petroglyphs using spatial algorithms

An overview of remote sensing deliverables for rock art research

Rock Art in Three Dimensions: Comments on the Use and Possibilities of 3D Rock Art Documentation

RTI and the study of engraved rock art: A re-examination of the Iberian south-western stelae of Setefilla and Almadén de la Plata 2 (Seville, Spain)

Recent improvements in photometric stereo for rock art 3D imaging

Towards a three-dimensional cost-effective registration of the archaeological heritage

Digital image enhancement for recording rupestrian engravings: applications to an alpine rockshelter

Obtaining 3-dimensional shape of textured and specular surfaces using four-source photometry

The Development And Application Of A Simple Methodology For Recording Rock Art Using Consumer-Grade Digital Cameras

Complementarity of acquisition techniques for the documentation of Neolithic engravings: lasergrammetric and photographic recording in Gavrinis passage tomb (Brittany, France)

The 4-source photometric stereo technique for three-dimensional surfaces in the presence of highlights and shadows

Computer Vision e Structure From Motion, nuove metodologie per la documentazione archeologica tridimensionale: un approccio aperto.

La via segnata: Pianaùra e le incisioni rupestri nel paesaggio del Monte Stivo (TN)

Un approccio multilayered alla documentazione e interpretazione dell'arte rupestre. L'integrazione delle tecniche di rilievo a Pianaùra (Massone, Arco di Trento).

Nuovi sviluppi nelle tecniche di stereofotometria 3D di incisioni e rilievi. Applicazioni nella tomba XV di Sos Furrighesos, Sardegna

An interactive image registration technique with an application in stereo vision

3D modeling of large and complex site using multi-sensor integration and multi-resolution data

Rock Art Recording Methods: From Traditional to Digital

Three-dimensional shape from color photometric stereo

Prima campagna di scavo alla Grotta dei Moscerini, localita Don Simone,

In the sign of the billhook. The rock engravings around Stivo-Bondone mountain group (Trento) between figurative culture and landscape,

From sketchbook to structure from motion: Recording prehistoric carvings in Ireland

Stereofotometria per la documentazione in 3D di incisioni e rilievi. Applicazioni nell’arte preistorica della Sardegna

Photometric stereo 3D visualizations of rock-art panels, bas-reliefs, and graffiti

Metodi di studio : novità e tradizione nell'arte rupestre della Lombardia e dell'arco alpino

3D Recording and Modelling in Archaeology and Cultural Heritage

A multi-resolution methodology for archeological survey: the Pompeii forum

cited by

Le fornaci romane di Pollentia-Urbs Salvia (Urbisaglia-MC): un modello di fruizione immersiva per il patrimonio archeologico